Happy Holidays, [livejournal.com profile] keksdiebin!

Jan. 3rd, 2013 02:16 pm
[identity profile] goe-mod.livejournal.com posting in [community profile] go_exchange
Title: The Form of An Apple
Recipient: [livejournal.com profile] keksdiebin
Author: [livejournal.com profile] irisbleufic
Rating: PG-13/R for generally disturbing imagery
Author's Notes: This is a pinch hit, dear recipient, as your gift-giver fell on tough circumstances and has been relieved of duties; my hope is that this, in spite of limited writing-time, won't be too far off the mark! Your second prompt (Aziraphale/Crowley in a historical setting where they are on opposite sides during an epic conflict) was, fortunately, right up my alley, although I've interpreted it in an eccentric fashion. Happy New Year!
Summary: No good ever comes of a commendation, neither from Below, nor from Above.


We see death come into our midst like black smoke, a plague which cuts off the young, a rootless phantom which has no mercy or fair countenance. Woe is me of the shilling in the arm-pit; it is seething, terrible, wherever it may come, a head that gives pain and causes a loud cry, a burden carried under the arms, a painful angry knob, a white lump. It is of the form of an apple, like the head of an onion, a boil that spares no-one. Great is its seething, like a burning cinder, a grievous thing of an ashy colour. It is an ugly eruption that comes with unseemly haste. It is a grievous ornament that breaks out in a rash: the early ornaments of black death.

—Jeuan Gethin, Welsh poet, d. 1349


*


London, 1 November 1348

The commendation turned up in the guise of a crisp vellum missive from one of Crowley's colleagues in the chancery. Hell hadn't quite got the hang of using Crowley's books to communicate—how easy it would've been for Beelzebub or Dagon or whoever to just rearrange some text on the page while he was enjoying a hilariously bad spot of Langland's latest revisions by candlelight—so they tended to send incorporeal underling demons to possess underling human copyists for purposes of writing out missives, which had the unnerving tendency to appear on Crowley's desk.

He'd been aware of the outbreak for months, in an abstract sort of way. Reports coming in from the Continent were both thorough and harrowing, so Crowley had taken to keeping emergency stashes of honey-chamomile ale and Rhineland white wine on hand.

He broke Hastur's seal with the requisite gesture, fingers seizing uncomfortably.

Three paragraphs into the commendation, both of his hands started to shake.

Crowley dropped the correspondence on his rush-and-lavender strewn floor and reached for his cloak on the door-peg, wondering if he'd regret the walk to Southwark at this time of night.

As it turned out, the streets were empty: every shutter drawn, eerily backlit by tapers.

Aziraphale didn't answer his first knock—or his second, or his third. Just as Crowley prepared, teeth gritted, to kick down the door (not something he liked to do terribly often, as humans tended to notice and grow skittish around such things as displays of unnatural strength), it swung inward.

“Ah,” said the angel, lifting the brim of Crowley's hat up from his eyes. “What are you doing here?”

“Asking you what in Go—Sa—what in the world is going on,” Crowley hissed, pushing his way inside Aziraphale's humble one-room lodging. “I got a commendation for Himself's latest crack at a cleansing by plague. Why'd you do it, eh? Did they tell you the buggers are just breeding too fast for their own good and could sand a thorough cull? No, wait, let me guess—it's got something to do with this explosion of bawdy vernacular literature and a corresponding drop in piety rates, so they've ordered you to sort it all out by killing off at least a third of the population—”

“Half,” said Aziraphale, calmly, closing the door behind Crowley as he ranted and paced.

Crowley stopped dead in his tracks, clenching his outstretched hands.

“What do you mean, half?” he demanded, incredulous.

“One day they'll call it Yersinia pestis,” Aziraphale explained. “The bacteria responsible for this contagion, I mean. I'd always assumed that your people—”

“As I recall, my people didn't create the bloody Garden and all of its various pathogens.”

Aziraphale blanched and made for the cupboard, in which he kept a ready supply of Gascon red.

“Have a drink,” he said, offering Crowley some wine in a wooden tumbler. “You'll feel better.”

“Why don't you offer some to the poor souls starting to puff up with fever and rot?” retorted Crowley, and knocked the proffered cup out of Aziraphale's hand. “See what good it does them?”

Angrily, Aziraphale fetched the vessel, refilled it, and downed half its contents.

“I have nothing to do with it! The first news I've had, in fact, comes by way of this nonsense,” he said, shoving a piece of wrinkled vellum into Crowley's hands.

Crowley scanned the terrifyingly elegant script, which could only have been Gabriel's.

“I don't believe this,” he said. “They think we're behind it.”

“Now you're the one talking nonsense. They don't know about our little...er...”

“You don't understand,” Crowley said, handing the vellum back to Aziraphale. “I got a commendation, too, but the major difference is that mine makes no mention of a projected death toll. I don't give much thought to the statistics accompanying human illness, but your boy Gabriel must be a regular aficionado. Does he keep sample cultures to hand for reference?”

“Crowley,” said Aziraphale, suddenly brandishing a chair at him. “Sit down.”

Much to his dismay, Crowley didn't make it to the chair. His legs gave out, so Aziraphale hauled him up by the armpits and settled him in it somewhat ungracefully. He didn't protest when Aziraphale refilled the tumbler and thrust it into his hands. He drank deep and hiccupped, his vision swimming.

“I don't know what came over me,” he murmured, pensively swilling the wine.

“I suspect it's to do with the prospect of losing half or more of your targets.”

Crowley lowered the tumbler and stared despairingly at the angel.

“Targets,” he echoed. “Is that how you think of them?”

Aziraphale sniffed, busy pouring himself a fresh tumbler of wine.

“It doesn't behoove one to wax sentimental,” he said. “They're humans.”

“They're complicated,” Crowley shot back. “They're clever.”

“I don't follow,” Aziraphale said, taking a long swig of wine.

“If not for them, we'd have no alcohol, for starters.”

Aziraphale pulled a stool up beside Crowley's chair, lost in thought.

“I suppose you're right,” he said at length, and then reached to briskly pat Crowley's knee. “Still, it's their lot to tarry here in sorrow. Part of the Great Plan, et cetera. Ineffable.”

Crowley set his empty tumbler down on the floor and folded his arms.

“So it wasn't you and it wasn't me, and it wasn't Upstairs and it wasn't Downstairs, but they'd both like to think they can claim credit. That's just swell. Don't you ever feel stuck in the middle?”

“Dear boy, we are stuck in the middle,” sighed Aziraphale. “Technically speaking.”

“Well, at times like this, I hate it,” said Crowley, flatly. “D'you know what it'll be like?”

“What what'll be like?” asked Aziraphale, neatly finishing off his wine.

“Watching them die,” Crowley continued. “Do you know how they're suffering, these first victims? One of my people at court was in Melcombe when the first case arrived by sea.”

“Dreadfully unpleasant symptoms, I should think,” said Aziraphale, shrugging.

Crowley indicated his left armpit, which was bruised thanks to Aziraphale's manhandling.

“The lymph nodes swell and form hard, fever-hot pustules. They burst and ooze, spreading the contagion. Some say it can directly enter the blood, and my guess is they'd be right.”

“It'll be airborne before too long,” said Aziraphale, frowning into his tumbler.

“Either you'd best get on with healing a poor sod or two when and as you can, or leave me to it in peace if you're not so inclined,” said Crowley, rising. “I'm going home. This is giving me a headache.”

“Then fix it,” said Aziraphale, following him to the door, wearing an expression that almost passed for one of concern. “You needn't suffer as they do. That is, we needn't—”

“They're the size and shape of an apple,” Crowley said, his hand on the latch. “And as hard.”

Aziraphale covered Crowley's hand with his own, staying it.

“But it needn't be,” he insisted. “Stay and share the rest of this bottle, won't you?”

“The next time either one of us gets a commendation, I want to make damned sure we deserve it,” Crowley seethed. “In this instance, no one does, least of all the humans. Where's your mercy now, eh? Where will it be as thousands perish in torment?”

Aziraphale coaxed Crowley's fingers off the latch and set his soft palm to Crowley's forehead.

“We mustn't burn with them,” he said simply, and then stroked Crowley's temple.

“No,” said Crowley, suddenly weary, and carefully side-stepped the touch. “Wine?”

“Wine,” said Aziraphale, firmly, and went to fetch the bottle from his cupboard.

Crowley resumed his seat in the chair, watching as the window taper guttered.


—Continue: As Above, So Below (Part 1)

(no subject)

Date: 2013-01-04 01:41 am (UTC)
From: [identity profile] knightlights.livejournal.com
Oo, dark. I really like the way you have them taking roles counter to expectation, and yet still so perfectly in-character for them. As a medieval history major, I also really enjoyed the small details you've thrown in (lavender and rushes, ect.) It was all very easy to visualize, which made it especially effective. Nice work! :)

(no subject)

Date: 2013-01-11 06:33 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
Actually, as canon characterization goes, the roles they take here aren't really counter to expectation at all! What they're counter to, I think, is the odd fandom-constructed expectations which are themselves reversed: people who miss the point and interpret Crowley as straight-up demonic all the time and Aziraphale as straight-up angelic all the time ;)

I'm pleased in particular to hear that you found this visually engaging. Thank you for reading!

(no subject)

Date: 2013-01-04 10:10 am (UTC)
From: [identity profile] titc.livejournal.com
Wow, at the character study and the writing and the theme - and - \o/

(no subject)

Date: 2013-01-11 06:34 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
It's a theme I've been circling with them for quite some time, but which I never quite managed to take head-on. Crowley's dislike of the fourteenth century has always been a red flag for me (if you're a scholar of the late Middle Ages, there's no question why Crowley found that century so trying). Thank you for reading *hugs*

(no subject)

Date: 2013-01-04 11:04 pm (UTC)
From: [identity profile] pionie.livejournal.com
I really enjoyed this. So dark, and I love how heartless Aziraphale is, hiding behind the comfort of a Plan.

(no subject)

Date: 2013-01-11 06:35 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
If he's heartless enough to suggest that heaven ki - er, sort out the eleven year-old Antichrist, then he's heartless enough to take the side of reason during an epidemic the likes of which their beloved planet has rarely seen. Thank you so much! :)

(no subject)

Date: 2013-01-05 01:58 am (UTC)
From: [identity profile] ladymouse2.livejournal.com
Forgive my using a comment here to encompass everyone's offerings this year. From "Form of an Apple" all the way back to "Technical Difficulties", I have been gone and in and out so much of December, I've only been able to read/view the gifts but not do any proper reviewing and don't think I can catch up and not miss some of you.

Allow me to do a blanket thank you this one year for such a cornucopia of riches--such long, meaty stories as well as short thoughtful or frothy ones, delightful art. It was an unusually bountiful year with something good to find in all of them and much to find as "keepers" for long past the holiday and to be printed out and into my infamous "binders" for permanent retrieval and reading.

Thank you all!

(no subject)

Date: 2013-01-11 06:37 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
My hope is that the other creators will read this comment, too, then, and know that it's intended for them as much as it is for me <3 Interesting you should cite "Technical Difficulties" in the same breath: I wrote that one, too. Which may be hinting too much, but I hint too much when I so much as open my proverbial mouth in typeface, so... *half smile* Yes, this year deserves to be an anthology, I do believe.

Thank you, and Happy New Year *hugs*

(no subject)

Date: 2013-01-11 07:14 am (UTC)
From: [identity profile] ladymouse2.livejournal.com
Actually I don't know how to post here except as a comment--I'm not very computer savvy being a bit of a dinosaur, but if you know how to format to place my comment unattached and in the top "layer" where everyone can see it so the other authors and artists DON'T miss my praise, I'd be very grateful if you could do it and thank you!

(no subject)

Date: 2013-01-05 05:18 pm (UTC)
From: [identity profile] keksdiebin.livejournal.com
Wow thank you so much! What an awesome gift *-*!!! You picked a great time period - I really adore the dramatic period of Edward III's reign!
I love how emotional Crowley is and how you portrait their relationship <3 And there are quite a few sentences I particularly enjoyed *__*!

“As I recall, my people didn't create the bloody Garden and all of its various pathogens.”
Like this one <33 It's really tragic how ahead they are when it comes to biology... and references to the Garden are always great <3

Just as Crowley prepared, teeth gritted, to kick down the door (not something he liked to do terribly often, as humans tended to notice and grow skittish around such things as displays of unnatural strength), it swung inward.
And this one - oh Crowley <33 I think I need to write a story where he does kick a door open <3

Thanks again for this very awesome gift and I wish you a happy new Year =)!

(no subject)

Date: 2013-01-11 06:39 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
What we forget sometimes - or, rather, what we forget to think about - is that both of them must possess absolutely inhuman strength when they have need of it, and also how jarring it would be for a human to witness such an act! Thank you, though, for making a request that lent itself well to a somewhat...nontraditional interpretation. Their respective superiors would each credit their agents with something like the Plague, but, in actuality, it's something that just happened without any aiding or abetting from either of them. And the mere assumption - manifested as commendations - would be enough to put them at odds with each other, even if only briefly.

I'm so glad you liked this. Happy New Year *hugs*

(no subject)

Date: 2013-01-06 04:37 am (UTC)
From: [identity profile] sirius-luva.livejournal.com
This was beautiful in a painful way. As a medieval history geek (and major) I've always been morbidly fascinated by the Black Death (ooh, have you seen the movie with Sean Bean?) and you did such a beautiful job of evoking that atmosphere. I loved the details like the crisp vellum, the honey-chamomile ale and Rhineland white wine, the lavender and rushes, the bawdy literature, the tapers, and the detailed knowledge of the plague itself. You've clearly done your research, and I lovelovelove well-researched historical fics.

I also love their different and very realistic reactions - you can really see how time changes them into the characters in GO, and the idea that they (in particular, Aziraphale) were slightly colder towards humans and mellowed over the centuries is one of my favourite bits of headcanon and you've done that perfectly here, with Crowley being the one more affected; oh Crowley. *hugs him* And the description of Gabriel fits right in.

Lovely!

(no subject)

Date: 2013-01-11 06:41 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
No, I haven't seen the movie with Sean Bean, but I keep meaning to! And as for having done a lot of research...well, yes, I have, but I didn't have to do it especially for this story: it's research I've spent the better part of the past ten years on, between my last couple years as an undergraduate and, subsequently, graduate school.

Thank you so much, and Happy Holidays!

(no subject)

Date: 2013-01-11 06:55 am (UTC)
From: [identity profile] sirius-luva.livejournal.com
Ooh. I raise my hat to you! *raises hat* I'm an undergrad double-majoring in Classics and Ancient History & Medieval and Early Modern Studies, and I hope one day I'll be in your position and able to say I've spent ten years doing history research for undergrad and grad school. ♥

The research has really helped, I think; you don't beat the reader over the head with well-researched details that may overpower the story (as I often have to stop myself from doing), but it's subtle and in the background, giving a great sense of the historical atmosphere.

Happy Holidays!
Edited Date: 2013-01-11 06:56 am (UTC)

(no subject)

Date: 2013-01-06 07:57 pm (UTC)
ext_212832: (Default)
From: [identity profile] peach-megumi.livejournal.com
This was sharp and beautiful and wonderful. And all the small details! It hits in all the right spots, and I can easily see this as having been the way they reacted. Wonderful.

(no subject)

Date: 2013-01-11 06:42 am (UTC)
From: [identity profile] secret-kracken.livejournal.com
I avoided this for far, far too long: their reaction, that is, to something that must've taxed Crowley in particular very sorely. Thank you so much for reading, and Happy Holidays/New Year!

(no subject)

Date: 2013-01-11 01:50 pm (UTC)
From: [identity profile] puokki.livejournal.com
This made me rather sad and teary-eyed. Aziraphale and Crowley don't have to experience the pain humans do but they both have to pay a price for that; Aziraphale is detached but Crowley can't do that so he has to bear the guilt. The line “They're the size and shape of an apple,” Crowley said, his hand on the latch. “And as hard.” slew me. And I really really love how cold Aziraphale is because even in the book you get the impression Crowley is the one who really likes humans whereas Aziraphale enjoys more the luxuries they have invented.

And as sirius_luva earlier commented, the little historic details really anchor this in the time period. I think the difficulty with writing A & C into history is achieving that sense of a particular time period, that the culture they are living in is not a meaningless background, and I think you nailed it.

(no subject)

Date: 2013-01-11 06:51 pm (UTC)
From: [identity profile] secret-kracken.livejournal.com
Aziraphale is detached but Crowley can't do that so he has to bear the guilt. The line “They're the size and shape of an apple,” Crowley said, his hand on the latch. “And as hard.” slew me.

He never quite gets over the irony of his unintentional fate, it seems - but, my God, does he ever make the best of a less than desirable situation! He's an incredibly inspiring character, when it comes down to it <3

Thank you so much for reading!

(no subject)

Date: 2013-01-14 03:25 am (UTC)
From: [identity profile] katarzi.livejournal.com
Oh man I am mad at myself for missing this one the first time round. Fantastic. I love the depth and feel of this - I love historical pieces that get it right, and so many of them I feel tend to veer a little into Hollywood History and that breaks me out in twitches so hurrah! Lovely.

(no subject)

Date: 2013-01-17 02:16 am (UTC)
From: [identity profile] irisbleufic.livejournal.com
Hollywood History (a good term for an unfortunate tendency) makes me break out in a rash, so I do my best to stay as far away from it as humanly possible. As usual, my dear, thank you for reading *hugs* You'll by now see where this fits into the greater scheme of the puzzle.

(no subject)

Date: 2013-01-15 09:23 am (UTC)
From: [identity profile] mazaher.livejournal.com
Your GOE fics made for a lovely evening after a tiring day. I comment on this, which is deeply sad on many levels, because it somehow fits with one of the main items on said tiring day. It feels to me that Aziraphale has somehow been trained by Upstairs to a sort of indifference to the suffering of flesh and blood, while Crowley has been trained by Downstairs to be quite sensitive to it-- as a source of satisfaction. Neither training has changed their spontaneous attitude, however-- thankfully. The longer they know each other, the faster they are to reach the exact same point about the matter... Together, they are like the Yin-Yang circle, spinning through the ages the mysterious element, very mysteriously lacking in both Downstairs *and* Upstairs attitudes to things on planet Earth: compassion.
Thank you

(no subject)

Date: 2013-01-17 02:18 am (UTC)
From: [identity profile] irisbleufic.livejournal.com
In Crowley's case, certainly, the training was effective in that it made him incredibly sensitive to human suffering - but not in the sense that his trainers would have hoped. Aziraphale just has some reality checks to twig onto; once he does that, he'll be fine (but, Lord, it'll take ages; quite literally ages, too).

Thank you so much *hugs*

(no subject)

Date: 2013-01-15 09:30 pm (UTC)
From: [identity profile] sejitsu.livejournal.com
Oh, this was lovely. The characterizations are wonderful; I am especially fond of your Crowley, which certainly isn't news to you, but every time I think you couldn't possibly add more depth to the both of them, you prove me wrong. (which I love!) Nice work! <3

(no subject)

Date: 2013-01-17 02:20 am (UTC)
From: [identity profile] irisbleufic.livejournal.com
I hope to do quite a number more when it comes to CoT flashbacks like this one. There are quite a number of backlights, as it were, that need throwing on, and each and every one of them will reveal further depths and shades of meaning to events in the present timeline. Thank you very much *hugs*

(no subject)

Date: 2013-01-30 06:31 pm (UTC)
From: [identity profile] mauvais-pli.livejournal.com
“They're complicated,” Crowley shot back. “They're clever.”
“I don't follow,” Aziraphale said, taking a long swig of wine.


This one, oh dear. Perhaps out of admiration to you for writing this earlier Aziraphale so clearly younger, shall we say, I seem to love Aziraphale's coldness itself.

Catching up on the GOE stories, since I realized reading As Above, So Below that I'm behind - wonderful as ever ♥

(no subject)

Date: 2013-02-01 06:37 am (UTC)
From: [identity profile] irisbleufic.livejournal.com
Yes, writing a somewhat younger Aziraphale (as it were) was kind of terrifying. As terrifying as it is to write his lapses back into it later down the road in this 'verse...

Thank you for reading *hugs* Happy Holidays!

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